{"id":253,"date":"2021-04-05T19:54:05","date_gmt":"2021-04-05T19:54:05","guid":{"rendered":"http:\/\/sites.la.utexas.edu\/bpp\/?p=253"},"modified":"2021-04-05T20:10:46","modified_gmt":"2021-04-05T20:10:46","slug":"the-many-cameras-of-spike-lees-da-five-bloods","status":"publish","type":"post","link":"http:\/\/sites.la.utexas.edu\/bpp\/2021\/04\/05\/the-many-cameras-of-spike-lees-da-five-bloods\/","title":{"rendered":"Video Essay: The Many Cameras of Spike Lee&#8217;s &#8216;Da Five Bloods&#8217;"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"540\" src=\"https:\/\/sites.la.utexas.edu\/bpp\/files\/2021\/04\/dafive.jpeg\" alt=\"\" class=\"wp-image-254\" srcset=\"http:\/\/sites.la.utexas.edu\/bpp\/files\/2021\/04\/dafive.jpeg 960w, http:\/\/sites.la.utexas.edu\/bpp\/files\/2021\/04\/dafive-300x169.jpeg 300w, http:\/\/sites.la.utexas.edu\/bpp\/files\/2021\/04\/dafive-768x432.jpeg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/figure>\n\n\n\n<p><em>In his video essay, Kyser Lim examines the many different aspect ratios and other camera-centric details of Spike Lee&#8217;s acclaimed Vietnam War picture <\/em>Da Five Bloods,<em> which employs numerous devices to signal the film&#8217;s fluid movement between past and present.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-rich is-provider-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Many Cameras of Spike Lee&#039;s &#039;Da Five Bloods&#039;\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/turoZqJ0avc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>In his video essay, Kyser Lim examines the many different aspect ratios and other camera-centric details of Spike Lee&#8217;s acclaimed Vietnam War picture Da Five Bloods, which employs numerous devices to signal the film&#8217;s fluid movement between past and present.<\/p>\n","protected":false},"author":743,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[223009],"tags":[227604,227602,227601,227603],"class_list":{"0":"post-253","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-video-essays","7":"tag-aspect-ratio","8":"tag-da-five-bloods","9":"tag-spike-lee","10":"tag-vietnam-war","11":"entry"},"_links":{"self":[{"href":"http:\/\/sites.la.utexas.edu\/bpp\/wp-json\/wp\/v2\/posts\/253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/sites.la.utexas.edu\/bpp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/sites.la.utexas.edu\/bpp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/sites.la.utexas.edu\/bpp\/wp-json\/wp\/v2\/users\/743"}],"replies":[{"embeddable":true,"href":"http:\/\/sites.la.utexas.edu\/bpp\/wp-json\/wp\/v2\/comments?post=253"}],"version-history":[{"count":3,"href":"http:\/\/sites.la.utexas.edu\/bpp\/wp-json\/wp\/v2\/posts\/253\/revisions"}],"predecessor-version":[{"id":263,"href":"http:\/\/sites.la.utexas.edu\/bpp\/wp-json\/wp\/v2\/posts\/253\/revisions\/263"}],"wp:attachment":[{"href":"http:\/\/sites.la.utexas.edu\/bpp\/wp-json\/wp\/v2\/media?parent=253"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/sites.la.utexas.edu\/bpp\/wp-json\/wp\/v2\/categories?post=253"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/sites.la.utexas.edu\/bpp\/wp-json\/wp\/v2\/tags?post=253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}